Nature Knows No Color-Line

In Nature Knows No Color-Line, originally published in 1952, historian Joel Augustus Rogers examines the origins of racial hierarchy and the color problem. Rogers was a humanist who believed that there were no scientifically evident racial divisions—all humans belong to one “race.” He believed that color prejudice generally evolved from issues of domination and power between two physiologically different groups. According to Rogers, color prejudice was then used a rationale for domination, subjugation and warfare. Societies developed myths and prejudices in order to pursue their own interests at the expense of other groups. This book argues that many instances of the contributions of black people had been left out of the history books, and gives many examples.



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Soak Your Nuts: Cleansing With Karyn: Detox Secrets for Inner Healingand Outer Beauty

A student of Dr. Ann Wigmore and Viktoras Kulvinskas, Karyn Calabrese used raw food and detoxification to heal herself from illness, fatigue, and allergies. Soak Your Nuts: Cleansing with Karyn, features her Nature's Healing System, a 28-day program that has helped thousands of her students overcome weight issues, skin problems, fibromyalgia, insulin dependence, insomnia, sinusitis, and countless other health problems. The program is designed to counter the effects of exposure to chemicals, other environmental pollutants, and stress; restore the body s balance; and revive its ability to rejuvenate naturally. Instead of dieting and counting calories, readers will learn how to use a raw natural diet, juicing, fasting, and internal cleansing to gain a new awareness of total body health. As a result, they will be equipped with the tools to make intelligent, responsible, health-promoting diet and lifestyle choices. Karyn's sense of humor and messages of self-love and acceptance make this program a truly holistic journey. Download Link

When Music Migrates: Crossing British and European Racial Faultlines,1945-2010

When Music Migrates uses rich material to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. This development, which can be thought of in terms of diaspora, can also be thought of as postmodern in that it reverses the modern flow which took colonizers, and sometimes settlers, from European countries to other places in the world. Stratton explores the concept of 'song careers', referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts. The idea of the song career extends the descriptive term 'cover' in order to examine the transformations a song undergoes from artist to artist and cultural context to cultural context. Stratton focuses on the British faultline between the post-war Afro-Caribbean settlers and the white Britons. Central to the book is the question of identity. For example, how Afro-Caribbean people have constructed their identity in Britain can be considered through an examination of when 'Police On My Back' was written and how it has been revisioned by Lethal Bizzle in its most recent iteration. At the same time, this song, written by the Guyanese migrant Eddy Grant for his mixed-race group the Equals, crossed the racial faultline when it was picked up by the punk-rock group, the Clash. Conversely, 'Johnny Reggae', originally a pop-ska track written about a skinhead by Jonathan King and performed by a group of studio artists whom King named the Piglets, was revisioned by a Jamaican studio group called the Roosevelt Singers. After this, the character of Johnny Reggae takes on a life of his own and appears in tracks by Jamaican toasters as a Rastafarian. Johnny's identity is, then, totally transformed. It is this migration of music that will appeal not only to those studying popular music, but also cultural studies and race. Download Link

Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of BlackCultural Production

This collection of essays critically engages with factors relating to black urban life and cultural representation in the post-civil rights era, using Ice-T and his myriad roles as musician, actor, writer, celebrity, industrialist as a vehicle through which to interpret and understand the African American experience.Over the past three decades, African Americans have faced a number of new challenges brought about by changes in the political, economic and social structure of America. Furthermore, this vastly changed social landscape has produced a number of resonant pop-cultural trends that have proved to be both innovative and admired on the one hand, and contentious and divisive on the other.Ice-T's iconic and multifarious career maps these shifts. This is the first book that, taken as a whole, looks at a black cultural icon's manipulation of (or manipulation by?) so many different forms simultaneously. The result is a fascinating series of tensions arising from Ice-T's ability to inhabit conflicting pop-cultural roles including: 'hardcore' gangsta rapper and dedicated philanthropist; author of controversial song Cop Killer and network television cop; self-proclaimed 'pimp' and reality television house husband. As the essays in this collection detail, Ice-T's chameleonic public image consistently tests the accepted parameters of black cultural production, and in doing so illuminates the contradictions of a society erroneously dubbed 'post-racial'. Download Link

What Can and Can't Be Said: Race, Uplift, and Monument Building in the Contemporary South

An original study of monuments to the civil rights movement and African American history that have been erected in the U.S. South over the past three decades, this powerful work explores how commemorative structures have been used to assert the presence of black Americans in contemporary Southern society. The author cogently argues that these public memorials, ranging from the famous to the obscure, have emerged from, and speak directly to, the region’s complex racial politics since monument builders have had to contend with widely varied interpretations of the African American past as well as a continuing presence of white supremacist attitudes and monuments. Download Link

Lynching: American Mob Murder in Global Perspective

Addressing one of the most controversial and emotive issues of American history, this book presents a thorough reexamination of the background, dynamics, and decline of American lynching. It argues that collective homicide in the US can only be partly understood through a discussion of the unsettled southern political situation after 1865, but must also be seen in the context of a global conversation about changing cultural meanings of 'race'. A deeper comprehension of the course of mob murder and the dynamics that drove it emerges through comparing the situation in the US with violence that was and still is happening around the world. Drawing on a variety of approaches - historical, anthropological and literary - the study shows how concepts of imperialism, gender, sexuality, and civilization profoundly affected the course of mob murder in the US. "Lynching" provides thought-provoking analyses of cases where race was - and was not - a factor. The book is constructed as a series of case studies grouped into three thematic sections. Part I, Understanding Lynching, starts with accounts of mob murder around the world. Part II, Lynching and Cultural Change, examines shifting concepts of race, gender, and sexuality by drawing first on the romantic travel and adventure fiction of the era 1880-1920, from authors such as H. Rider Haggard and Edgar Rice Burroughs. Changing images of black and white bodies form another major focus of this section. Part III, Blood, Debate, and Redemption in Georgia, follows the story of American collective murder and growing opposition to it in Georgia, a key site of lynching, in the early twentieth century. By situating American mob murder in a wide international context, and viewing the phenomenon as more than simply a tool of racial control, this book presents a reappraisal of one of the most unpleasant, yet important periods of America's history, one that remains crucial for understanding race relations and collective violence around the world. Download Link

Imagining Black America

Scientific research has now established that race should be understood as a social construct, not a true biological division of humanity. In Imagining Black America, Michael Wayne explores the construction and reconstruction of black America from the arrival of the first Africans in Jamestown in 1619 to Barack Obama’s reelection. Races have to be imagined into existence and constantly reimagined as circumstances change, Wayne argues, and as a consequence the boundaries of black America have historically been contested terrain. He discusses the emergence in the nineteenth century—and the erosion, during the past two decades—of the notorious “one-drop rule.” He shows how significant periods of social transformation—emancipation, the Great Migration, the rise of the urban ghetto, and the Civil Rights Movement—raised major questions for black Americans about the defining characteristics of their racial community. And he explores how factors such as class, age, and gender have influenced perceptions of what it means to be black. Wayne also considers how slavery and its legacy have defined freedom in the United States. Black Americans, he argues, because of their deep commitment to the promise of freedom and the ideals articulated by the Founding Fathers, became and remain quintessential Americans—the “incarnation of America,” in the words of the civil rights leader A. Philip Randolph. Download Link

Africa in the Time of Cholera: A History of Pandemics from 1817 to thePresent

Written in a style attractive to non-specialists, this book combines evidence from natural and social sciences to examine the impact on Africa of seven cholera pandemics since 1817, particularly the current impact of cholera on such major countries as Senegal, Angola, Mozambique, Congo, Zimbabwe, and South Africa. Cholera's explosion in Africa involves such variables as migration, armed conflict, climate change, and changing disease ecology. Myron Echenberg highlights the irony that this once-terrible scourge, having receded from most of the globe, now kills thousands of Africans annually - Africa now accounts for more than 90 percent of the world's cases and deaths - and leaves many more with severe developmental impairment. Responsibility for the suffering of thousands of infants and children who survive the disease but are left with acute developmental impairment is shared by Western lending and health institutions and by often venal and incompetent African leadership. Cholera is no longer a bio-medical riddle. Inexpensive and effective oral rehydration therapy can now control the impact of cholera, while modest investment in potable water and sewage infrastructure helps prevent major outbreaks. If the threat of this old scourge is addressed with more urgency, great progress in the public health of Africans can be achieved. Download Link

The Rap Year Book: The Most Important Rap Song From Every Year Since1979, Discussed, Debated, and Deconstructed

Here's what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music--from artists' backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players--both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Complete with infographics, lyric maps, uproarious and informative footnotes, portraits of the artists, and short essays by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to the most iconic and influential rap songs ever created. It's like the gold tank from Master P's "Make 'Em Say Uhh!" video, except it's a book. It's like Kanye's verse on "Put On," except it's a book. It's like the face Biggie made when he was on the boat with Puffy in "Hypnotize," except it's a book. Download Link

Eighty-Eight Years: The Long Death of Slavery in the United States,1777-1865

Why did it take so long to end slavery in the United States, and what did it mean that the nation existed eighty-eight years as a “house divided against itself,” as Abraham Lincoln put it? The decline of slavery throughout the Atlantic world was a protracted affair, says Patrick Rael, but no other nation endured anything like the United States. Here the process took from 1777, when Vermont wrote slavery out of its state constitution, to 1865, when the Thirteenth Amendment abolished slavery nationwide. Rael immerses readers in the mix of social, geographic, economic, and political factors that shaped this unique American experience. He not only takes a far longer view of slavery’s demise than do those who date it to the rise of abolitionism in 1831, he also places it in a broader Atlantic context. We see how slavery ended variously by consent or force across time and place and how views on slavery evolved differently between the centers of European power and their colonial peripheries―some of which would become power centers themselves. Rael shows how African Americans played the central role in ending slavery in the United States. Fueled by new Revolutionary ideals of self-rule and universal equality―and on their own or alongside abolitionists―both slaves and free blacks slowly turned American opinion against the slave interests in the South. Secession followed, and then began the national bloodbath that would demand slavery’s complete destruction. Downlnk

George Clinton: The Cosmic Odyssey of Dr Funkenstein

The first in-depth biography of one of music’s most fascinating, colourful and innovative characters. The definitive history of the last of the black music pioneers. Clinton stands alongside James Brown as one of the most influential black artists of all time and along with his P-Funk Collective, took black funk into the US charts and sold out stadiums by the mid 1970s with his extravagant shows. The book contains a wealth of new first hand interview material with Clinton, key P-Funk personnel and other friends and associates, eye-witness accounts of key moments in Clinton’s history create the ultimate P-Funk history. It features new interviews including Red Hot Chili Peppers, Rick James, Prince, Zapp, Public Enemy, Living Colour and others and presents a unique record of black popular culture alongside the broader historical context of social changes. A fan since the early 1970s, Kris Needs has collected every Clinton-related record and has written a number of exhaustive histories of the P-Fun collective for a variety of magazines. He has interviewed Clinton several times, getting to know him during the 1990s when he collaborated with Primal Scream, leading to an all-nighter at the Brixton Academy which saw Kris DJ for his hero. Download Link

Gold Coast Diasporas: Identity, Culture, and Power

Although they came from distinct polities and peoples who spoke different languages, slaves from the African Gold Coast were collectively identified by Europeans as "Coromantee" or "Mina." Why these ethnic labels were embraced and how they were utilized by enslaved Africans to develop new group identities is the subject of Walter C. Rucker’s absorbing study. Rucker examines the social and political factors that contributed to the creation of New World ethnic identities and assesses the ways displaced Gold Coast Africans used familiar ideas about power as a means of understanding, defining, and resisting oppression. He explains how performing Coromantee and Mina identity involved a common set of concerns and the creation of the ideological weapons necessary to resist the slavocracy. These weapons included obeah powders, charms, and potions; the evolution of "peasant" consciousness and the ennoblement of common people; increasingly aggressive displays of masculinity; and the empowerment of women as leaders, spiritualists, and warriors, all of which marked sharp breaks or reformulations of patterns in their Gold Coast past. Download Link

Way Too Cool: Selling Out Race and Ethics

Life, liberty, and the pursuit of cool have informed the American ethos since at least the 1970s. Whether we strive for it in politics or fashion, cool is big business for those who can sell it across a range of markets and media. Yet the concept wasn't always a popular commodity. Cool began as a potent aesthetic of post-World War II black culture, embodying a very specific, highly charged method of resistance to white supremacy and the globalized exploitation of capital. Way Too Cool follows the hollowing-out of "coolness" in modern American culture and its reflection of a larger evasion of race, racism, and ethics now common in neoliberal society. It revisits such watershed events as the 1960s Civil Rights Movement, second-wave feminism, the emergence of identity politics, 1980s multiculturalism, 1990s rhetorics of diversity and colorblindness, 9/11, and Hurricane Katrina, as well as the contemporaneous developments of rising mass incarceration and legalized same-sex marriage. It pairs the perversion of cool with the slow erasure of racial and ethical issues from our social consciousness, which effectively quashes our desire to act ethically and resist abuses of power. The cooler we become, the more indifferent we grow to the question of values, particularly inquiry that spurs protest and conflict. This book sounds an alarm for those who care about preserving our ties to an American tradition of resistance. Download Link

Caribbean Crossing: African Americans and the Haitian Emigration Movement

Shortly after winning its independence in 1804, Haiti’s leaders realized that if their nation was to survive, it needed to build strong diplomatic bonds with other nations. Haiti’s first leaders looked especially hard at the United States, which had a sizeable free black population that included vocal champions of black emigration and colonization. In the 1820s, President Jean-Pierre Boyer helped facilitate a migration of thousands of black Americans to Haiti with promises of ample land, rich commercial prospects, and most importantly, a black state. His ideas struck a chord with both blacks and whites in America. Journalists and black community leaders advertised emigration to Haiti as a way for African Americans to resist discrimination and show the world that the black race could be an equal on the world stage, while antislavery whites sought to support a nation founded by liberated slaves. Black and white businessmen were excited by trade potential, and racist whites viewed Haiti has a way to export the race problem that plagued America. By the end of the decade, black Americans migration to Haiti began to ebb as emigrants realized that the Caribbean republic wasn’t the black Eden they’d anticipated. Caribbean Crossing documents the rise and fall of the campaign for black emigration to Haiti, drawing on a variety of archival sources to share the rich voices of the emigrants themselves. Using letters, diary accounts, travelers’ reports, newspaper articles, and American, British, and French consulate records, Sara Fanning profiles the emigrants and analyzes the diverse motivations that fueled this unique early moment in both American and Haitian history. Download Link

Hell Without Fires: Slavery, Christianity, and the Antebellum Spiritual Narrative

Hell Without Fires examines the spiritual and earthly results of conversion to Christianity for African-American antebellum writers. Using autobiographical narratives, the book shows how black writers transformed the earthly hell of slavery into a "New Jerusalem," a place they could call home. Yolanda Pierce insists that for African Americans, accounts of spiritual conversion revealed "personal transformations with far-reaching community effects. A personal experience of an individual's relationship with God is transformed into the possibility of liberating an entire community." The process of conversion could result in miraculous literacy, "callings" to preach, a renewed resistance to the slave condition, defiance of racist and sexist conventions, and communal uplift. These stories by five of the earliest antebellum spiritual writers--George White, John Jea, David Smith, Solomon Bayley, and Zilpha Elaw--create a new religious language that merges Christian scripture with distinct retellings of biblical stories, with enslaved people of African descent at their center. Showing the ways their language exploits the levels of meaning of words like master, slavery, sin, and flesh, Pierce argues that the narratives address the needs of those who attempted to transform a foreign god and religion into a personal and collective system of beliefs. The earthly "hell without fires"--one of the writer's characterizations of everyday life for those living in slavery--could become a place where an individual could be both black and Christian, and religion could offer bodily and psychological healing. Pierce presents a complex and subtle assessment of the language of conversion in the context of slavery. Her work will be important to those interested in the topics of slave religion and spiritual autobiography and to scholars of African American and early American literature and religion. Download Link

Slavery Throughout History Reference Library

Two of a proposed three-volume set (a primary sources volume will appear later), the Almanac and Biographies share almost identical time-line and "words to know" sections. Both volumes attempt to cover the subject worldwide, from ancient times to the present, yet both suffer from generalizations, poor editing, and careless scholarship.Biography has a more specific focus; it presents "30 men and women who made an impact . . . on slavery or who were profoundly affected by it." Alphabetically arranged from Afonso I of Kongo to Denmark Vesey, it is an attractive work whose text is sprinkled with black-and-white photos and sidebars. "Further reading" at the end of each entry includes books, periodicals, and Web sites. Controversial issues, such as Sally Hemings' relationship to Thomas Jefferson, are fairly presented, and descriptions of sex in slavery, such as Haksun Kim's experience as a Japanese "comfort woman," are appropriate for sixth grade and older.However, limiting coverage to these 30 individuals is problematic. Evidently they were chosen to present as broad a picture of slavery as possible, but why St. Patrick and not Dred Scott or Roger Taney? The connection between slavery and individuals like Sacagawea and Aleksandr Solzhenitsyn is not always made clear, and mixing biblical and historical accounts is sure to confuse young readers further. The Almanac volume is divided into 12 chapters, most of which discuss slavery in the U.S. The more than 100 photos and maps, adequate bibliography and indexing, and information current to 1999 should have made this volume a winner. Unfortunately, its value is diminished by inconsistencies (Nebuchadrezzar is the form used in the text but Nebuchadnezzar is used in the index) and oversimplifications. There are several references to the "five 'slave societies' in the history of the human race" (Ancient Greece and Rome, Brazil, Cuba, and the U.S.) but no real explanation of why these particular five are identified as such. There is no mention of slavery in Mayan, Incan, and Aztec societies.There is nothing comparable at the middle-school level that provides such a worldview on slavery, but these volumes are disappointing additions to an always-popular topic. Download Link

Mental slavery : psychoanalystic studies of Caribbean people

Examines the complex historical and psychological effects of slavery across generations of Caribbean people. It is a unique contribution to the field of trans-cultural psychoanalysis, casting light on an area previously neglected within mainstream psychoanalytic writing. Download Link

British Capitalism and Caribbean Slavery: The Legacy of Eric Williams

Modern scholarship on the relationship between British capitalism and Caribbean slavery has been profoundly influenced by Eric Williams's 1944 classic, Capitalism and Slavery. The present volume represents the proceedings of a conference on Caribbean Slavery and British Capitalism convened in his honour in 1984, and includes essays on Dr Williams's scholarly work and influence. These essays, by thirteen scholars from the United States, England, Africa, Canada and the Caribbean, explore the relationship between Great Britain and her plantation slave colonies in the Caribbean. Download Link

Sambo: The Rise and Demise of an American Jester

Before the tumultuous events of the 1960's ended his long life, "Sambo" prevailed in American culture as the cheerful and comical entertainer. Sambo was the stereotypical image of the black male which developed during the Colonial period, extended into all regions and classes, and pervaded all levels of the popular culture for over two centuries, so much so that he could be regarded as the first humorous icon. As Joseph Boskin notes, virtually all societies conceived of their slaves in servile terms, but in the North American hemisphere, the black slave came to be seen as both a worker and entertainer. Why this came to pass is bound up with white perceptions of the black male as a laborer possessing a buguiling style. Whites were fascinated by black movement: the gait, music, language, and especially the laugh. Sambo was to be found everywhere in American society: in circuses and minstrel shows, in comic strips and novels, in children's stories, in advertisements and illustrations, in films and slides, in magazines and newspapers, in postcards and greeting cards, and in knick-knacks found throughout the house. Whatever the variation of his image, the central element was always humor--Sambo was conceived as the initiator and butt of laughter. Boskin shows how the stereotype began to unravel in the 1930's with several radio series, specifically the Amos 'n' Andy and Jack Benny shows. The relationship between Benny and Eddie "Rochester" Anderson--the first of the odd couples inelectronic media--particularly undercut and altered the Sambo image as Rochester gradually achieved an aggressive stance with his "boss" and often reversed roles with him in a curious way. Finally, the democratic thrust of World War II, coupled with the black efforts to terminate Jim Crow practices and the rise of prominent black comedians on the national level in the 1960's, laid Sambo to rest.About the Author:Joseph Boskin is Professor of History and Afro-American Studies and Director of the Urban Studies and Public Policy Program at Boston University. His previous books include Into Slavery and Humor and Social Change in the Twentieth Century. Download Link